Heather and Ivan Morison: I am so sorry. Goodbye

It was Barbican Waterside. Available enter inside and a serving some drink.

I am so sorry. Goodbye explores the relationship between the built environment and nature. The double-domed pavilion takes its inspiration from the structures built by utopian communities in the west coast of the US in the 1970s. Designed as a tea house, I am so sorry. Goodbye provides a place of rest and shelter, where one is served hibiscus tea, a beverage popular in various parts of the world and thought to have medicinal properties. A transparent dome at the top of the structure alludes to a spaceship or futuristic aircraft, a vehicle which might transport one away from a time or place of catastrophe.

Radical Nature
Art and Architecture for a Changing Planet 1969–2009

There are so many interesting ideas from nature. Radical Nature draws on ideas that have emerged out of Land Art, environmental activism, experimental architecture and utopianism. The exhibition is designed as one fantastical landscape, with each piece introducing into the gallery space a dramatic portion of nature. Work by pioneering figures such as the architectural collective Ant Farm and visionary architect Richard Buckminster Fuller, artists Joseph Beuys, Agnes Denes, Hans Haacke and Robert Smithson are shown alongside pieces by a younger generation of practitioners including Heather and Ivan Morison, R&Sie(n), Philippe Rahm architects and Simon Starling. Radical Nature also features specially commissioned and restaged historical installations, some of which are located in the outdoor spaces around the Barbican while a satellite project by the architectural collective EXYZT is situated off site.